I didn’t know about Alexander Calder till I saw his
exhibition at Musée Picasso in Paris, his art works were displayed together
with Picasso’s works. Alexander Calder is known for inventing wire sculptures
and the mobile, a type of kinetic art which relied on careful weighting to
achieve balance and suspension in the air. He didn't limit his art to
sculptures; he also created paintings, jewelry, theatre sets and costumes.
While residing in France between 1926 and 1933, he cleverly
constructed three-dimensional art works
using wires which give impression of
‘drawings in space’, he turned out charming representations of birds,
cows, elephants, horses, and other animals, including the extraordinary Romulus
and Remus of 1928 that depicts the mythical founders of Rome being nursed by a
she-wolf.
He also created intricate tableaus of circus
performers, but Alexander Calder particularly recommended himself with his sensational
full-body portraits of jazz-era dancer Josephine Baker and bust portraits of
many in his Parisian artistic circle, such as Miró, composer Edgard Varèse, and
socialite Kiki de Montparnasse.
Photo: Wikimedia
With seemingly inexhaustible energy, Alexander Calder
expanded the repertoire of forms in his mobiles from spheres to discs to
organic shapes adapted from plants and animals. The World War II years saw
shortages of sheet metal, and Calder turned toward bits of wood, shards of
glass and ceramics, tin cans, and other refuse he found on his Roxbury
property, creating a series dubbed Constellations and some of his most-beloved
works, including Finny Fish, 1948.