Sunday, September 3, 2023

An Interview with Friedrich

 

Photo: Wikimedia

Assigned to interview Friedrich, I was at a loss as to how to deal with it. He is famous as a controversial philosopher who declared 'God is Dead', with his views on religions, especially Christianity, very negative, even though his father was a Lutheran minister. His father died when Friedrich was only 4 years old so he did not get to witness his son's 'apostasy'. 

To prepare for this interview I forced to read his writings entitled 'Antichrist' which is very demeaning to Christianity and even considers Christian values ​​as poison for his followers. Of course, many readers will feel insulted by these provocative remarks and cannot accept their blasphemy. But by stroking my chest I finally decided to meet Friedrich in his hometown of Röcken, in Germany. 

That day Friedrich received my visit in the living room of his house, he looked weak, his neck was wrapped in a thick scarf. It seemed the cold February air had turned him pale. He was not as fierce as his writing, only his thick mustache made him look like a member of the military force. His body was hunched, his legs were slightly bent, and his hands looked like dumplings. 

I then opened the conversation:

“Herr Friedrich, straight away, in the book The Joyful Wisdom you wrote about the Madman proclaiming that “God is Dead”. How did this happen?” 


Friedrich, repeating the Madman's words in the book ‘The Joyful Wisdom’:

"Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Backwards, sideways, forwards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us?

 

I said:

"Then if God is Dead, who will replace him?"

 

Friedrich, as he said in ‘The Joyful Wisdom’

God is dead: but as the human race is constituted, there will perhaps be caves for millenniums yet, in which people will show his shadow,—And we—we have still to overcome his shadow!

Let us be on our guard against saying that there are laws in nature. There are only necessities: there is no one who commands, no one who obeys, no one who transgresses. When you know that there is no design, you know also that there is no chance: for it is only where there is a world of design that the word ‘chance’ has a meaning.”

  

I said:

“Besides the Madman proclaiming God is Dead in that book, there is also the Zarathustra who says: 'Once you said 'God' when you gazed upon distant seas; but now I have taught you to say 'Superman'. Who is Superman?”

 

Friedrich, quoting ‘Thus Spoke Zarathustra’:

"I TEACH YOU THE SUPERMAN. Man is something that is to be surpassed. What have ye done to surpass man?

All beings hitherto have created something beyond themselves: and ye want to be the ebb of that great tide, and would rather go back to the beast than surpass man?

What is the ape to man? A laughing-stock, a thing of shame. And just the same shall man be to the Superman: a laughing-stock, a thing of shame.

Ye have made your way from the worm to man, and much within you is still worm. Once were ye apes, and even yet man is more of an ape than any of the apes.

Even the wisest among you is only a disharmony and hybrid of plant and phantom. But do I bid you become phantoms or plants?

Lo, I teach you the Superman!

 

I said:

“Referring to 'Thus Spoke Zarathustra', I grasped the call for man to become Superman by realizing that there is no objective truth and no objective morality—that God and goodness are all man-made. Thus man will go beyond the commonly accepted and discover his own values, and these discovered values will arise from his own essential desire for power. Is that not so?"

 

Friedrich, again quoting ‘Thus Spoke Zarathustra’ randomly:

The beauty of the Superman came unto me as a shadow. Ah, my brethren! Of what account now are—the Gods to me!

Man is a rope stretched between the animal and the Superman—a rope over an abyss.

A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting.

What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING.

I love those that know not how to live except as down-goers, for they are the over-goers.

I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive.

I love him who justifieth the future ones, and redeemeth the past ones: for he is willing to succumb through the present ones.

I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causeth his down-going.

I love all who are like heavy drops falling one by one out of the dark cloud that lowereth over man: they herald the coming of the lightning, and succumb as heralds.

Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.

  

I said:

 “The tight-rope walker’s performance is dangerous as he must traverse a rope suspended over a deep chasm. So too, in bringing about the Superman, man must live dangerously. He must assume great risks and never remain stagnant, but despite the dangers always live for the sake of self-transformation. As Zarathustra explains, those who live in this manner are the individuals destined to be the harbingers of the Superman. But who is Superman?”

 

Friedrich, as he said in ‘Joyful Wisdom’:

“People have never asked me as they should have done, what the name of Zarathustra precisely meant in my mouth, in the mouth of the first immoralist; for that which distinguishes this Persian from all others in the past is the very fact that he was the exact reverse of an immoralist. Zarathustra was the first to see in the struggle between good and evil the essential wheel in the working of things. The translation of morality into the realm of metaphysics, as force, cause, end-in-itself, is his work. But the very question suggests its own answer. Zarathustra created this most portentous of all errors,—morality; therefore he must be the first to expose it. Not only because he has had longer and greater experience of the subject than any other thinker,—all history is indeed the experimental refutation of the theory of the so-called moral order of things,—but because of the more important fact that Zarathustra was the most truthful of thinkers. In his teaching alone is truthfulness upheld as the highest virtue—that is to say, as the reverse of the cowardice of the ‘idealist’ who takes to his heels at the sight of reality. Zarathustra has more pluck in his body than all other thinkers put together. To tell the truth and to aim straight: that is the first Persian virtue. Have I made myself clear? ... The overcoming of morality by itself, through truthfulness, the moralist's overcoming of himself in his opposite—in me—that is what the name Zarathustra means in my mouth.”

 

I said:

 

“Oh, so you mean the Zarathustra, who in Greek is called Zoroaster, the founding prophet of Zoroastrianism in ancient Persia over 1000 BC. Some researchers suggest that Zarathustra may have been the first monotheistic prophet in recorded history. He eliminated all the ancient gods from the Persian pantheon, leaving only Ahura Mazdah, the 'Wise God', as the Only True God. This was, at a time when Zarathustra instituted religious reforms that were broader in scope and more radical than Martin Luther's challenge to the Roman Catholic Church.

Then Zarathustra established the concept of morality which can be summed up with the words 'good thoughts, good words, good deeds.' Living these three principles is how we exercise our free will by following the law of Asha. The three ethics of Zoroastrianism also pass down concepts such as the cosmic struggle between right and wrong, between Asha—Truth and Virtue and Druj—Lie, Evil, and Chaos.”

 

Friedrich:

“As Zarathustra spoke: ‘ Let us speak thereof, ye wisest ones, even though it be bad. To be silent is worse; all suppressed truths become poisonous.

 

I said:

“Zarathustra urges to discard God and instead create a new meaning of the earth; one that embraces the personal desire for self-actualization and self-affirmation, and promotes the development of a strong body in which natural instincts are seen as a source of energy to be channeled and sublimated in order to overcome oneself. This new meaning, Zarathustra announced to be Superman.

Friedrich  then quoted his book the Antichrist:

“Under Christianity neither morality nor religion has any point of contact with actuality. This purely fictitious world, greatly to its disadvantage, is to be differentiated from the world of dreams; the latter at least reflects reality, whereas the former falsifies it, cheapens it and denies it. Once the concept of ‘nature’ had been opposed to the concept of ‘God,’ the word ‘natural’ necessarily took on the meaning of ‘abominable’—the whole of that fictitious world has its sources in hatred of the natural (—the real!—), and is no more than evidence of a profound uneasiness in the presence of reality.... This explains everything. Who alone has any reason for living his way out of reality? The man who suffers under it. But to suffer from reality one must be a botched reality.... The preponderance of pains over pleasures is the cause of this fictitious morality and religion: but such a preponderance also supplies the formula for décadence....”

 

I said:

“But mankind's rejection of God has existed since the first humans, Adam and Eve. They chose to freely disobey God's commandments by eating the forbidden fruit from the tree of the knowledge of good and evil. According to Christian belief, by his transgression Adam became an earthly being, a 'natural man' with a 'carnal mind'. You in 'The Antichrist' advise mankind to repeat Adam's attitude of rejecting God as in the beginning."

 

Friedrich quoting ‘Thus Spoke Zarathustra’:

“At last, after seven days, Zarathustra raised himself upon his couch, took a rosy apple in his hand, smelt it and found its smell pleasant. Then did his animals think the time had come to speak unto him.

‘O Zarathustra,’ said they, ‘now hast thou lain thus for seven days with heavy eyes: wilt thou not set thyself again upon thy feet?

Step out of thy cave: the world waiteth for thee as a garden. The wind playeth with heavy fragrance which seeketh for thee; and all brooks would like to run after thee.

All things long for thee, since thou hast remained alone for seven days—step forth out of thy cave! All things want to be thy physicians!

Did perhaps a new knowledge come to thee, a bitter, grievous knowledge? Like leavened dough layest thou, thy soul arose and swelled beyond all its bounds.—'

—O mine animals, answered Zarathustra, talk on thus and let me listen! It refresheth me so to hear your talk: where there is talk, there is the world as a garden unto me.

 For me—how could there be an outside-of-me? There is no outside! But this we forget on hearing tones; how delightful it is that we forget!

Have not names and tones been given unto things that man may refresh himself with them? It is a beautiful folly, speaking; therewith danceth man over everything.

How lovely is all speech and all falsehoods of tones! With tones danceth our love on variegated rainbows.—

—'O Zarathustra,’ said then his animals, ‘to those who think like us, things all dance themselves: they come and hold out the hand and laugh and flee—and return.

Everything goeth, everything returneth; eternally rolleth the wheel of existence. Everything dieth, everything blossometh forth again; eternally runneth on the year of existence.

For thine animals know it well, O Zarathustra, who thou art and must become: behold, THOU ART THE TEACHER OF THE ETERNAL RETURN,—that is now THY fate!”

 

I said:

"Herr Friedrich, in closing, how do you want the world to remember you?"


Friedrich:

“As I said in Ecce Homo:’ I am, for instance, in no wise a bogey man, or moral monster. On the contrary, I am the very opposite in nature to the kind of man that has been honoured hitherto as virtuous. Between ourselves, it seems to me that this is precisely a matter on which I may feel proud. I am a disciple of the philosopher Dionysus, and I would prefer to be even a satyr than a saint. But just read this book! Maybe I have here succeeded in expressing this contrast in a cheerful and at the same time sympathetic manner—maybe this is the only purpose of the present work.

 

The very last thing I should promise to accomplish would be to ‘improve’ mankind. I do not set up any new idols; may old idols only learn what it costs to have legs of clay. To overthrow idols (idols is the name I give to all ideals) is much more like my business. In proportion as an ideal world has been falsely assumed, reality has been robbed of its value, its meaning, and its truthfulness.... The ‘true world’ and the ‘apparent world’—in plain English, the fictitious world and reality.... Hitherto the lie of the ideal has been the curse of reality; by means of it the very source of mankind's instincts has become mendacious and false; so much so that those values have come to be worshipped which are the exact opposite of the ones which would ensure man's prosperity, his future, and his great right to a future.”

 

 

THE END

 This is an imaginary interview in memory of Friedrich Nietzsche.

Sources:

https://academyofideas.com/2017/10/nietzsche-and-zarathustra-last-man-superman/ 

https://encyclopedia.summitlighthouse.org/index.php/Zarathustra

 



Saturday, August 19, 2023

Dubai, at Mall of the Emirates

 

One of the attractions of Dubai is its magnificent Shopping Malls. From the outside a mall looked like an ordinary building, but inside it is truly amazing, with an attractive and well-designed interior. Once we go inside we feel at home there, to do our shopping, looking for nice meals, playing, watching movies or just looking around. 

The Mall of the Emirates is one of the most magnificent Malls in Dubai, its six hundred thousand square meters space is filled with shops that mostly sell international branded goods. There are more than five hundred shops located on all four floors of this Mall. However, if you do not intend to shop there, there is a cinema and a place to play at Magic Planet. When you get tired, you can choose to eat in one of the many restaurants serving a variety of food. There is local Middle Eastern food, Asian and Western food, all served in a room with nice surrounding. 

And in the midst of Dubai heat, you can play in Ski Dubai, an indoor ski hall. With a ski slope 85 meters high and 140 meters long, it is the largest in the world. The room temperature is maintained between minus one degree and two degrees Celsius, to keep the meter-high snow intact. Thus, even though the outside temperature is around 45 degrees Celsius, you can slide on the snow inside this Mall. To play here you have to buy a ticket, the price is around 70 USD, depending on the facility you choose.

 

THE END

 

Source: https://www.malloftheemirates.com/en






Saturday, August 5, 2023

Paris, from Pompidou Centre to La Défense

 

Strolling from the Marais area where the buildings are in the 17th century style to the Beaubourg through the narrow streets and alleys we find a huge building with a unique colorful style. It is the Pompidou Center, a multicultural complex, bringing together in one place different forms of art and literature. It houses a Public Information Library, a vast public library and the Museum of Modern Art. It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977. 

Created in the style of modern architecture by the architectural team of Richard Rogers and Renzo Piano the building looks like of an 'inside-out' building with its structural system, mechanical systems, and circulation exposed on the exterior of the building with colorful pipes and ducts. From the outside, the visual signature of the building is embodied by the huge mechanical escalator, known as the “caterpillar”, designed to serve as a vertical outdoor path. It is the primary artery of the Pompidou Centre, serving all levels and transporting the public upwards. Its transparency provides one of the finest views of Paris, and as you travel up, it seems as though you are still strolling through the city. 

The vast plaza in front of the building forms an integral part of the Pompidou Centre and serves as a strong link between the city and the building, thus enabling the most natural flow possible between the two spaces. The plaza acts as a lung, a place of life where Parisians, tourists and onlookers cross paths. People come here to meet others, to stroll, to rest or contemplate their surroundings. In the spring, the plaza becomes more lively with carnivals, bands, and street performers. 

From the Pompidou Centre, our next trip is to another modern buildings complex in Paris, the business center of La Défense. By taking the Metro from the Hotel de Ville for about half an hour we arrive at the Esplanade Metro station, the location of La Défense. Right above the metro station stands La Grande Arche, a 110 meter cube monument designed to be a late-20th-century version of the Arc de Triomphe. Its designer Johan Otto V. Spreckelsen described it as a window onto the world. It is intended to function as a place where people with different backgrounds and cultures can meet and communicate. 

Around Le Grande Arche, La Défense contains many of the Paris urban area's tallest high-rises. There are hundreds of high-rises and buildings belonging to the top companies in the world in this area. There is also a large shopping mall, Les Quatre Temps, with 220 stores, 48 restaurants and a 24-screen movie theatre. One day is definitely not enough to explore this area! 

 

THE END

 

Sources:

https://www.centrepompidou.fr/en/collections/our-building

https://en.wikipedia.org/wiki/Grande_Arche

 


Sunday, July 16, 2023

Paris, at Sacré Coeur

 

From the Anvers metro station, we walked a bit along the Rue de Steinkerque in the Montmartre area to the Place Saint-Pierre. Montmartre, which notably means hill of martyrs, owed its name to Saint Denis, who was beheaded on this hill in the third century on the orders of the emperor Decius. Saint Denis was Bishop of Paris at the time and is now known as the patron saint of France. 

A short walk later, we saw the white building of the Sacré-Cœur basilica perched on top of the hill of Montmartre. It is amazing that the basilica although is more than 100 years old, its white color is not polluted. Apparently this is because the walls were built from travertine limestone from Château-Landon. This stone has a very interesting characteristic: when it comes into contact with rainwater, the thin protective layer that naturally coats the stone releases a white substance that hardens in the sun. Therefore, every rain is an opportunity for this building to cleanse ! 

The Sacré-Cœur Basilica, which means the Sacred Heart Basilica, is dedicated to the Sacred Heart of Christ. From the beginning until now, the faithful take turns day and night to pray here without stop. Each evening, after the doors close at 10.30pm, the prayer relay continues, with people registering for the evening service in honor of the Sacred Heart of Jesus. On the ceiling above the altar is one of the largest mosaics in the world depicting the risen Jesus Christ, clothed in white and revealing a heart of gold. This mosaic created by Luc-Olivier Merson, shows the worshipers around Jesus represented by the saints: St Joan of Arc, St Mary and St Michael. 

At the front of this basilica under the statue of Jesus Christ there are also statues of St. Louis IX and St. Joan of Arc sitting on a horse, besides being considered saints they are also respected French heroes. So this basilica also became a symbol of French nationalism. Its construction is also an effort of national reconciliation and atonement for the tragic events of the Paris Commune in 1870-71. 

The architecture of this basilica is unique compared to other major churches in Paris such as Notre Dame. Many large churches in France have gothic architecture, while architect Paul Abadie was inspired to design this church in Romano-Byzantine style after completing many restorations on a similarly designed church in southern France. The Byzantine style of the building is characterized by a high dome, the result of new techniques of the sixth century, and the interior features many mosaics.

 

THE END

 

SOURCE:

https://en.wikipedia.org/wiki/Sacr%C3%A9-C%C5%93ur,_Paris







Saturday, July 1, 2023

Paris, from Hotel de Ville to Seine

 

Walking in Paris, strolling on cobbled streets flanked by old buildings, we really can feel the romantic atmosphere. As in many European cities, the buildings and streets were preserved that way, not modernized. The last Paris renovations were carried out from 1852 to 1870 by Georges-Eugne Haussmann under the order of Napoléon III. Haussmann’s work gave Paris the look it has today as well as its architecture. He created a very long and wide avenue with cafes and shops that influenced much of Parisian life. The architecture of classical Haussmann buildings was not designed independently but rather as part of a quarter, block, and thus the style should be coherent and in harmony with the architecture of the other buildings. The ground floor has thick walls. The second floor offers beautiful balconies and the third and fourth floors are built in the same style, although the window frames have less intricate stonework. 

After wandering through the cobbled streets of Le Marais, we arrived at the Hotel de Ville. Wow we thought, this hotel looked like a palace or a museum, wasn’t it? It turns out that in French, 'hotel' can mean a house, building, residence, so it does not always mean hotel as a place to rent rooms to stay for tourists. Today, apart from functioning as the city's administrative office, the Hotel de Ville is also a venue for art and cultural exhibitions. There are many interesting exhibits in the building and on the grounds in front of this building. 

From the Hotel de Ville we walked not far, only a few hundred meters to the south, to arrive at the Seine river. We can walk along this river or take a ferry to explore Paris. It turns out that the Eiffel Tower is located on the bank of this river and is one of the stops of the ferry route. The name of this stop is Port de la Bourdonnais. From this side we can see the towering Eiffel Tower, with its trademark brown color named Eiffel Tower Brown. 

Walking along the Seine reminds me of the words of the famous French painter Claude Monet: “I have painted the Seine all my life, in every hour, in every season. I never get bored: for me the Seine is always new.” But the river Seine in Paris is not as beautiful as Monet's paintings made in the interior of France, such as Argenteuil, Poissy and so on. Although the river water in Paris is not blue like in the painting, and there are no lotus plants, it flows calmly leading us to various history that are close to it, besides the Eiffel Tower, also Notre Dame Cathedral, Louvre Museum, and Musée d'Orsay.

 

THE END

 

 

Source:

 

https://www.french-property.com/regions/haussmann-buildings-architecture/#:~:text=The%20Parisian%20Haussmann%20buildings%20and%20architecture%20renovations%20were,to%20buildings%E2%80%99%20front%20facades%2C%20public%20parks%20and%20monuments.

 








Thursday, June 22, 2023

An Interview with Li Bai

 

Photo: Wikimedia

I went to Huang Shan mountain in Anhui province, to meet Li Bai, one of China's most famous poets. Against a backdrop of misty mountains, he met me cross-legged in front of a small table on the veranda of a food stall. Not to forget a cup of wine was served for him and me. I say 'not to forget' because it is a tradition in China to serve wine or other liquor to guests as a courtesy. In addition, Li Bai has a reputation as the Drunk Poet, due to his penchant for liquor until he drunk, but able to write interesting poems in that state.

It seemed that Li Bai wanted to isolate himself in the area around here, to write poems, being close to the common people, after being 'expelled' from the Royal Academy by Emperor Xuanzong in Chang'an (the ancient name of Xi'an city). He was expelled because of the intrigues of ministers who were jealous of his talent to write beautiful poems. He traveled from mountain to mountain, deepened Taoism and wrote many of his poems there.

That morning I met Li Bai at dawn on the Bright Peak Summit of Mount Huangshan to enjoy the golden light of the sun slowly creeping in from behind the mountains. We just sat in silence while Li Bai was writing a poem, he was just like that, could spontaneously write poetry when attracted by something he encountered. Sometime later he showed me his poem:


Thirty six strange peaks, Immortals with black top knots.

Morning sun strikes the tree tops,

Here in this sky mountain world. Chinese people, raise your faces!

For a thousand years cranes come and go. Far off I spy a firewood gatherer, Plucking sticks from stone crevices.

 

I responded:

"Mountains often appear in your poetry, right?"

 

Li Bai, smiling, quoted another of his poems:

“You ask for what reason I stay on the green mountain,

I smile, but do not answer, my heart is at leisure.

Peach blossom is carried far off by flowing water,

Apart, I have heaven and earth in the human world.”

 

I said:

“Heaven and earth in the human world, I really can sense the deep influence of Taoism, which views the Universe as an interconnected organic entity. None exists separately from the others.”

 

Li Bai:

“I recited ‘Liu Jia’ at the age of five, an ancient Taoist book that has been lost, and see a hundred schools at the age of ten. At the age of fifteen, I and Dongyanzi, a Taoist hermit, went to mount Minshan to live there in seclusion. I lived in there for several years. We raised many exotic birds in the forests, lived and worked as animal breeders. These are beautiful and docile birds, because we used to feeding them, so they come regularly to ask for food. It's as if they can understand people's language, with a call, they fly from everywhere before coming down, can even peck at people's hands. With grains, they are not afraid at all”.

 

I said:

“Before you exiled yourself to this area, it is said that you were once a high ranking official serving Emperor Xuanzong in Chang'an. How did it happen?”

 

Li Bai:

 “I was wandering around Zhejiang and Jiangsu and eventually made friends with Wu Yun, a famous Taoist priest, who was close to Emperor Xuanzong. One day Wu Yun was summoned by the Emperor to attend the imperial court, and his praise of me was great.  His praise led Emperor Xuanzong to summon me to the court of Chang’an. It seemed that the Emperor, aristocrats and common people alike were fascinated by my talents and personality. At first he gave me a job as a translator, as I knew non-Chinese language.  Eventually the Emperor gave me a post at the Hanlin Academy, the royal academy which served to provide scholarly expertise and poetry for the Emperor.”

 I said:

“Surely you wrote poems for Emperor Xuanzong?”

 

Li Bai:

“I wrote several poems about the Emperor's beautiful and beloved Yang Guifei, the favorite royal consort.”

 

I said:

"May I hear one of them?"

 

Li Bai:

“Clouds remind me of her apparel, flowers remind me of her countenance,

The spring breeze blows against the banister, the dew are splendidly lush.

If we cannot meet atop the Jade Mountain,

Then we will surely encounter one another on the jade terrace basked under the moonlight.”

 

I said:

“Hmmm… by mentioning the Jade Mountain, this poem implies the empress as charming as a fairy from the heavens, and you will meet her in the mortal world under the moonlight… The Daoism impression is very strong, heaven and earth as a harmonious wholesome beauty.

One of the other poems you have written since sitting in the palace is about the drunkenness of drinking wine. A theme that is rarely expressed as poetry, because it is considered unworthy, not beautiful, and too 'mortal'. You seem to be very much into drunkenness perhaps because as people have known, you like drinking to the point of intoxication, and you even write the best poetry in drunken state. One of your famous poems is “Drinking Alone Under the Moon”, which express the feeling of drunkenness and loneliness in a poetic and romantic way, loved by the public because the feeling is so 'grounded to the earth’ mirroring the habits of Chinese people from all walks of life to get drunk.

 

Li Bai, staring at the sky and quoting " Drinking Alone Under the Moon "

 “Among the blossoms waits a jug of wine.

I pour myself a drink, no loved one near.

Raising my cup, I invite the bright moon

and turn to my shadow. We are now three.

 

But the moon doesn’t understand drinking,

and my shadow follows my body like a slave.

For a time, moon and shadow will be my companions,

a passing joy that should last through the spring.

 

I sing, and the moon just wavers in the sky;

I dance and my shadow whips around like mad.

While lucid still, we have such fun together!

But stumbling drunk, each stagger off alone.

 

Bound forever, relentless we roam:

reunited at last on the distant river of stars.”

 

I said:

"Wow, it's so impressive that his feeling of loneliness is combined with the dance in the universe. Poetic, romantic and once again very thick sense of Taoism.

However, with such beautiful poems that you wrote why were you expelled from the Palace?"

 

Li Bai:

"Because of Gao Lishi the eunuch minister who has the most political influence in the palace. He envied me and along with other spiteful officials conspired to get rid of me with various intrigues. Knowing my habit of drinking until the drunk, one day they trapped me into drinking until drunk. Then in a drunken state I was brought to the Emperor to be humiliated. The emperor was angry and then drove me out of the palace, so I decided to leave Chang'an..."

 

I said:

“How did you feel leaving Chang’an?”

 

Li Bai, citing ‘The City of Choan’ Li Bai, another name of 'Chang'an City' or Xi'an:

 

The phoenix are at play on their terrace.

The phoenix are gone, the river flows on alone.

Flowers and grass

Cover over the dark path

                  where lay the dynastic house of the Go.

The bright cloths and bright caps of Shin

Are now the base of old hills.

 

The Three Mountains fall through the far heaven,

The isle of White Heron

                  splits the two streams apart.

Now the high clouds cover the sun

And I can not see Choan afar

And I am sad.”

 

 THE END

 

This is an imaginary interview in memory of Li Bai.

 

Sources:

https://www.bbc.co.uk/travel/article/20180201-chinas-spectacular-mountains-encased-in-ice

http://www.chinese-poems.com/lb.html

https://inf.news/en/culture/e8d711cc03d575390b3618b9193cdbd0.html

https://naiyee.org/2018/09/23/li-bai-drinking-alone-under-the-moon/

https://allpoetry.com/poem/13689358-The-City-of-Choan-by-Li-Po

https://en.wikipedia.org/wiki/Li_Bai

 












Saturday, July 2, 2022

Laoshan, at the Mountain

 

Laoshan, or Mount Lao as shan means mountain in Chinese, is a mountain located around 30 km from Qingdao on the shore of Yellow Sea , China.  It is the highest coastal mountain in China and the second highest mountain in Shandong, with the highest peak (Jufeng) reaching 1,132 metres. High in the east with cliffs near the sea, and gentle in the west with rolling hills. From the heights of the mountain we can view the blue sea giving this mountain the title of "the most famous mountain on the sea". 

Laoshan is surrounded by sea on three sides and carries rivers on its flat back. Its special geomorphic environment with mountains meeting the sea has created marvelous view with the sky, clouds, mist and glowing sunlight often forming a variety of images. Laoshan has a typical granite glacial landform. The granite peaks and hills in Laoshan are rich in pictorial stones with all kinds of strange postures under the effect of water erosion and weathering. 

The mountain is also inhabited with various tall ancient trees, which impressed Deng Xiaoping and said when he visited Laoshan: "This place is very good. With such a few large ancient trees alone, it can attract a lot of people. So it has conditions to arrange for opening up and the development of tourism”.  

The place is now named Laoshan Scenic Area, a national forest park with the largest and most complete protection of natural forest ecosystems of larches and pine trees in China's cool zone. 

There are 230 ancient trees of 39 species. The 2,100-year-old Han Dynasty Cypress (Cloud-reaching Han cypress) in Taiqing Palace with three trees growing in symbiosis, is regarded as a sacred tree by the locals. The 1,000-year-old Tang Dynasty Elm  is a peculiarly shaped tree that is one of the most ancient elm trees in northern China. It is also known as the "Dragon Head Elm" because its trunk is curved like a dragon's head. 

We can view this beautiful scenery of Laoshan by riding a cable car to the mountain peak, and we can view the granite rock mountain with pine trees and various kind of trees.

 

THE END

 Source:

https://en.wikipedia.org/wiki/Mount_Lao

http://www.laoshan.gov.cn/n15555905/n15558115/n15558396/201204155729315806.html

 

 



Saturday, May 28, 2022

Laoshan, at Taiqing Gong Temple


After seeing the Laoshan coast we head to the Taiqing Gong temple which is not far from the beach on the southern slope of this mountain. Between the temple and the beach there is a large square, the name of which is Taiqing Square of course, which is also a stop for buses to go up and down the mountain. At the sides of the Square there are food stalls and there are also ice cream sellers, there we tried for the first time an Ice Cream wafer from Russia, it tastes so good, with a thick milk taste. 

Taiqing Gong is the oldest and largest Taoist temple in Laoshan Mountain, it is simple, ancient and solemn. According to legend, its founder, Zhang Lianfu, wandered to Laoshan Mountain in 140 BC, and found a serene spot under Laojun Peak.  He chose to build a secluded temple at this location, and gave the disciples to worship, laying the foundation of Taoism in Laoshan. Due to its long affiliation with Taoism it is often regarded as one of the “cradles of Taoism”. 

Qing Dynasty writer Pu Songling visited Laoshan Mountain in 1672, and lived in the Taiqing Gong temple, but he couldn't afford to live in the wing because of poverty. He could only lay the floor at night. When writing, he used a wooden board as a desk. The candlelight on the table at night was the best lighting. Pu Songling only visited the two famous mountains of Taishan and Laoshan in his life, but two visits to Laoshan have left a story of the ages.  One of his classical stories is ‘The Taoist Priest of Laoshan’ reflects the mysteries and magical practice adapted by the Taoist priests there.  A wall which is said to be the prototype of the wall the Taoist passes through (in magical way) in Pu Songling's novel is still visible in Taiqing Palace. 

Taoism (also known as Daoism) is a Chinese philosophy attributed to Lao Tzu (c. 500 BCE), it emphasizes doing what is natural and "going with the flow" a cosmic force which flows through all things and binds and releases them. This flow of harmony is called Tao, or “the way.” In the 81 poetic verses that make up the Tao Te Ching, Lao Tzu outlined the Tao for individual lives as well as leaders and ways of governance. The philosophy grew from an observance of the natural world, and the religion developed out of a belief in cosmic balance maintained and regulated by the Tao. The original belief may or may not have included practices such as ancestor and spirit worship but both of these principles are observed by many Taoists today and have been for centuries. 

Following 108 stair steps, under the Laojun Peak, stands a huge statue of Lao Tzu. Its height is 36 meters and width 28 meters at the base. The statue was built according to the painting of Lao Tzu by the famous painter Wu Daozi in the Tang Dynasty period. Lao Tzu is pointing to the sky with his left hand and the earth with his right hand, which means "from heaven to earth, there’s only the Tao".

 

THE END

  

Sources:

http://www.chinatoday.com.cn/ctenglish/2018/tourism/201802/t20180207_800116961.html

https://www.worldhistory.org/Taoism/


Monday, May 2, 2022

Laoshan Coastal Mountain

 

I did not expect that in this area of Qingdao, a busy city with many shipyards and factories, there is a tall mountain near the seaside. A green area with forests towering over the shores of the rippling blue sea. This place is a shelter for weary city people, looking for a calm and peaceful atmosphere. 

The mountain is Laoshan, or Mount Lao (since "shan" means mountain), linked with the sea, with the coastal line winding around the mountain with various rocks, islets and bays staggered.  Mountain and Water are the two key features in Fengshui. From its perspective Mountain is static and stable thus associated with power and support, while Water represents flow, dynamic, thus associated with progress. The presence and balance of Mountain and Water make for good feng shui, and are ideal features for a country. 

Overlooking the sea, the mountain is characterized by imposing canyons, undulating peaks and shrouding mists. With a peak of over 1000 meters Laoshan Mountain is the highest mountain along China’s coastline. With a view not only on the sea to the east and on the land to the west, but also on beautiful Jiaozhou Bay to the southwest it explains the honorable name “No. 1 Coastal Mountain” given to Mount Laoshan. 

Mount Laoshan consists of numerous mountains, including Mount Fu, Mount Zao'er, Mount Shuangfeng, Mount Dading, and Mount Taizi, and it is home to 13 bays and coves, dotted with 18 islets.

It is also known for its ancient trees, its crystal-clear springs, odd=shaped boulders and rock outcroppings. Among the smooth boulders and stone outcropping farther up the mountain grow densely packed pine trees, and in the few green clearings where trees do not grow, sprout seas of flowers that blossom in a myriad of colors each spring and early summer.

 

THE END

 

Source:

http://www.china.org.cn/english/travel/87510.htm

 







Monday, April 4, 2022

An Interview with Samuel

 

Photo: Wikimedia

“What can I talk with Samuel, this absurdist writer?” that was my reaction to stenote, the publisher, when he first asked me to interview Samuel. “He wrote this book titled ‘Texts for Nothing’, what can one expect to discuss about nothing? He even wrote this in the book ‘He thinks words fail him, he thinks because words fail him he's on his way to my speechlessness, to being speechless with my speechlessness, he would like it to be my fault that words fail him, of course words fail him’. What can we talk with such words, they are so obscure. I heard from Charles Juliet that he is quite capable of meeting somebody and sitting for two hours without uttering a word.”

My publisher said: ”No, not really, he is not such a reclusive person, he likes to drink quite heavily, hopping with friends from one bar to another, enjoys chatting about cricket, actually he played cricket for Dublin University, and he had won medals for swimming and boxing. He also played golf and tennis. So, to start the conversation with him, try bringing a bottle of wine and talk about sport.”

Encouraged by my publisher, I flew to Paris and made appointment with Samuel to meet at Îles Marquises restaurant in Monparnasse. I brought with me a bottle of Lacrima Christi which he took delightedly. But, his tall, gaunt and archaic presence made him seemed aloof from the cozy surrounding.

 

I started:

“Sam, who is your favourite cricket player?”       

 

Samuel glowed with pleasure and responded:

“Frank Woolley, I had admired as a boy. You know, I saw him in the bar at Lord's cricket ground. He was escorting the legendary 84-year-old Wilfred Rhodes, perhaps the greatest England cricketer ever. By that time, Rhodes was totally blind.”

Then he stared and pointed out on the wall above our table photographs of the great boxers: Joe Louis,Georges Carpentier and Jack Dempsey.

  

I said:

“My first thought, sport seems out of place in your world. Your characters emerge as homeless people, down-and-outs, tramps, failures, and you wrote ‘Fail again, fail better’ in your ‘Worstward Ho’ story.”

  

Samuel:

“Actually, I wrote ‘All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”

  

I said:

“ You achieved your own gold in 1969 for Nobel Prize in Literature. How did you feel?”

  

Samuel:

“My publisher, told me in a telegram ‘Dear Sam and Suzanne. In spite of everything, they have given you the Nobel Prize. I advise you to go into hiding.’ We anticipated a spike in publicity and people trying to reach them.”

 

 I said:

“You were right, the Swedish Television asked for an interview”.

  

Samuel:

“I agreed only with the stipulation that the interviewer couldn’t ask any questions. “

  

I said:

“Thus you created a bizarre ‘mute’ interview and sent the video clip to them showing yourself in silent in nature, with background of the sound of wave from the beach, and the sound of bird chirping. And you didn’t attend the award, you sent your publisher to take the award, while you and your wife Suzanne travelled to Tunisia to avoid publicity.”

 

Samuel, citing the opening of Texts for Nothing 4:

“Where would I go, if I could go, who would I be, if I could be, what would I say, if I had a voice, who says this, saying it's me?”

 

I said:

“When your play ‘Waiting for Godot’ premiered at Théâtre de Babylone in Paris, it is reported that many audience members walked out of the theater, perhaps because of the unconventional form of the show, there is no plot, the characters are not revealed, the dialogues are random and ridiculous. Two tramps, Vladimir and Estragon, are waiting to meet someone named Godot, who eventually does not turn up. But some of the critics liked it, some critics said that pointlessness is its very point in this kind of theatre.  

Martin Esslin called it The Theatre of the Absurd, in his book with same title, depicting ‘sense of metaphysical anguish at the absurdity of the human condition’. And this type of theatre has been associated with your name.”

 

Samuel:

“The early success of Waiting for Godot was based on a fundamental misunderstanding, that critics and public alike insisted on interpreting in allegorical or symbolic terms a play which was striving all the time to avoid definition.”

 

I said:

“The greater part of Waiting for Godot's success came down to the fact that it was open to a variety of readings and that this was not necessarily a bad thing.”

 

Samuel:

“Why people have to complicate a thing so simple I can't make out. It's all symbiosis; it's symbiosis”.

 

I said:

“Then, may I ask you who or what is Godot?”

 

Samuel:

“I don't know who Godot is. I don't even know, above all don't know, if he exists. And I don't know if they believe in him or not – those two who are waiting for him.”

 

I said:

“Godot’s messenger boy tells Vladimir that Mr.Godot has sheep and goats, and the boy tends the goat is not beaten by Godot, while the boy’s brother who tends the sheep is beaten by Godot. This seems to be the reversal of the Bible story in which Christ separates the sheep, representing people who will be saved, from the goats, representing people who will be damned.

In the play Vladimir asks if Estragon has ever read the Bible. Estragon says all he remembers are some colored maps of the holy land. Vladimir tells Estragon about the two thieves crucified along with Jesus. One of the gospels says that one of the thieves was saved, but Vladimir wonders if this is true.”

 

Samuel:

“St Augustine’s reflection on this story is ‘Do not despair, one of the thieves was saved: do not presume, one of the thieves was damned.”


I said:

“I reckoned that perhaps the theme of the story is the two who are waiting for Godot, rather than Godot.”

 

Samuel:

“An inmate of Lüttringhausen Prison near Remscheid in Germany, stage the play in German and after that wrote to me: ’You will be surprised to be receiving a letter about your play Waiting for Godot, from a prison where so many thieves, forgers, toughs, homos, crazy men and killers spend this bitch of a life waiting ... and waiting ... and waiting. Waiting for what? Godot? Perhaps.”

 

I said:

“During the World War II in 1941 you and Suzanne joined the French resistance unit Gloria SMH, an information network, but in 1942 the group was betrayed by a double agent, members of your group had been arrested by the Gestapo. You had to flee Paris, heading for the Unoccupied Zone in the south of France. It took almost six weeks, sometimes alone, sometimes with other refugees, to cross into the free zone at Chalon-sur-Saône in Burgundy; you made your way by hiding in barns and sheds and sometimes behind trees, inside haystacks and down in ditches.”

  

Samuel:

“I can remember waiting in a barn, there were ten of us, until it got dark, then being led by a passeur over streams; we could see a German sentinel in the moonlight. Then I remember passing a French post on the other side of the line. The Germans were on the road so we went across fields. Some of the girls were taken over in the boot of a car.”

  

I said:

“You also witnessed the aftermath of bombing of St-Lô in 1944. The town located in Normandy bombed by the American, as it served as a strategic crossroads. It caused heavy damage, most of the city was destroyed, and a high number of casualties, which you reported as ‘The Capital of Ruins’, you witnessed real devastation and misery, people in desperate need of food and clothing, yet clinging desperately to life.”

  

Samuel:

“St.-Lô is just a heap of rubble, la Capitale des Ruines as they call it in France. Of 2600 buildings 2000 completely wiped out. . . . It all happened in the night of the 5th to 6th June. It has been raining hard for the last few days and the place is a sea of mud. What it will be like in winter is hard to imagine.”

 

I said:

“After the War, a lengthy clean-up began, literally by hand including the corpses of residents and soldiers, which lasted about six months. However, officials hesitated to rebuild Saint-Lô, some were willing to leave the ruins as a testament to the martyrdom of the city. The population declined, preferring to reinhabit its city. You volunteered to join the Irish Red Cross to build a provisional hospital in this town”                       

  

Samuel:

“The new hospital was designed to be provisional. But ‘provisional’, is not the term it was, in this universe become provisional.”

  

THE END

 This is an imaginary interview in memory of Samuel Beckett.

 

 

Sources:




Sunday, March 13, 2022

Tibet, along the Yarlung River

 

Our next trip was to go with a bus from Lhasa to Shigatse driving along the Yarlung River. The scenery of the clear river water, with mountains at the background and combined with green fields is amazing. The Yarlung River is 1,323 km long river originating from the Tibet-Qinghai Plateau in southeast Qinghai, and its join the Yangtze river in Panzhihua in southwestern Sichuan. It then passes through India flowing through the Assam Valley as Brahmaputra river. 

Yarlung means “the river down from the upper reaches” in Tibetan language, has a large amount of water and irrigates the fields in the lower valley. There are many ancient villages scattered along the banks of the river, with many historical sites and temples, shrouded with colorful myths and legends. It is the cradle of Tibet’s ancient civilization, and the area is the earliest birthplace of Tibetan culture. 

In Tibetan culture, rivers are sacred and in particular the Yarlung river is sacred as it represents the body of the goddess Dorje Phagmo, one of the highest incarnations. This reverence for the natural world was born from the Tibetan plateau and dates back centuries.  Now we can admire the clean river, undisturbed by human interference. When people swim in the river, they were told to never use it as a bathroom, because there are river gods in the water. There’s a very strict tradition that no one will go near certain water or do anything that would disturb it. They really don’t need laws to prohibit them to dump garbage or toxic wastes in the water to preserve the environment. 

There is another reason, the Yarlung river is still used as water burial site, people dumped dead bodies into the river and fishes might consume the body, which partly explains why Tibetan do not eat fish.  Tibetans believe that upon death, the body retums to one of the elements - earth, air, fire, water, or wood. Water burial is considered as a derivative of the celestial burial.

  

THE END

Sources:

https://www.tibettravel.org/tibet-travel-guide/yalong-river.html

https://www.aljazeera.com/news/2021/2/8/china-to-build-the-worlds-biggest-dam-on-sacred-tibetan-river








Saturday, February 19, 2022

Tibet, at the Musical Show

 

The Princess Wencheng musical show is really a grand show, the stage is spectacular set in open air, complete with the palace in Chang’an and the Potala palace in Lhasa. At one time we can see real horses running on a highground at the back ground of the stage, and in other time we can see cows and goats walking leisurely in the front part of the stage. The lighting system is also spectacular, sun and moon appear together from the darkness, and the waving huge cloths depicts the wild waves caused by hailstorm. The sound system loud and clear vibrate the melodious traditional songs on stage, apparently they use the most advanced sound technology. It is a wonderful marriage of a famous legendary story with modern technology, staged on expertly-designed theater beside a hilly mountain under the stars. 

The story is about a marriage of two great cultures, Tibetan and Tang dynasty. The story happened about 1300 years ago when Princess Wencheng of the Tang Dynasty left Chang'an (Xi'an now) to marry Songtsen Gampo, king of Tibet. Their marriage was aimed to maintain good relations between Tang empire and Tibet. She and her entourage marched over 2,000 km from Chang’an to Lhasa, crossing deserts, hailstorms, and snow-capped mountains. 

In her journey Princess Wencheng brought a substantial amount of dowry  which contained not only gold, but also grains, farming tools and technology to increase Tibetan agricultural productivity. She also brought Buddhist scriptures and statues of Buddha, among them was the golden statue of 12-year-old Sakyamuni Buddha, now placed in Jokhang Temple. 

There are many folk legends about Princess Wencheng’s journey to Tibet which are depicted in the show. One of the legend tells about ‘the Sun and Moon mirror’, a precious mirror that the Tang Dynasty Emperor Gaozu gave Princess Wencheng before she set off on her journey from Chang’an.

The mirror was said to let her see Chang'an and her relatives from wherever she was. When the princess reached part of the Quilian Mountain Range, an important thoroughfare to Tibet, she got out of her carriage and looked around. It was cold and barren, she could only see snow capped mountains, then she felt a surge of homesickness. She recalled the words of the emperor when he gave her the mirror, ‘Whenever you miss your home, you only need to look in this mirror to see us’. She took out the mirror to see her hometown, but saw only her own tearful face. So, she threw the mirror down onto the mountain. But then she continued her journey to the west as she knew she had a duty to the two nations, and, resolving not to miss her country any more. The mirror was broken in two pieces shaped like the moon and sun. From then on, the mountain got its name, Riyue Mountain, the Sun and Moon Mountain. 

The musical of the historic marriage is performed by around 700 actors, showing a dazzling array of traditional Tibetan dancing and singing, dressed in both traditional Tibetan and Tang dynasty costumes.

The show is performed every night, from spring to autumn, on about a 100 meter long huge open air stage, in Bumpari. 

 

THE END

Sources:

https://www.tibettravel.org/tibet-history/songtsan-gambo-wencheng.html

http://tibetanbuddhistencyclopedia.com/en/index.php/A_brief_introduction_to_Princess_Wencheng








Saturday, January 22, 2022

Lhasa, at Barkhor Street

 

The Buddhist religion is very important for Tibetan, and has a strong influence over all aspects of their lives. We can feel it even we walk in the main shopping district, Barkhor Street. "Barkhor" in Tibetan means "Holy Path", as it has been the pathway for pilgrims. According to Tibetan Buddhism, the pilgrims must walk in Barkhor Street in a clockwise circular direction around the Jokhang Temple as to worship the figure of the Buddha inside the temple. 

More than that, walking on Barkhor Street is somewhat different, it gives a mystical feeling. It has maintained the ancient original style of Tibet buildings for almost 1,400 years. The whole street is paved by stones alongside the exotic buildings. On the street, four large incense burners in the four cardinal directions burning incense and aromatic plants continuously, raising fragrant smokes into the air. 

Everywhere in the Barkhor Street is filled with hustle and bustle, we can hear the shouts of street vendors, and the chatting sounds of visitors are mixed with the chanting rhymes of pilgrims. The shops and street vendors offer prayer wheels, butter lamps, incense, turquoise, local meat and other Tibetan traditional food. Also, we can find  here Tibetan style house ornaments, cushions, leather bags and handmade art wares. 

We can notice that the traditional women in Tibet mostly have long hair and most of time they braided the hair neatly and affix them with ornaments. The arrangement of the hair indicates a woman’s social status, the style of the region or tribe, but also reflect fashions of the time. 

Generally, Tibetans believe that hair can serve as a material support connected with prosperity. They didn't cut their hair from the time they were born. But with the influence of modernity, shorter hair has become the trend in Tibet. An increasing number of women often dye their hair in many colors to follow the fashions of pop stars. We can find in Barkhor Street many beauty parlours visited by young women whom are particular about hair fashion and spent money for that. Our tour guide said: “It is a sign that Tibet is opening the road to modern society."

 

THE END








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